Saturday, August 16, 2008

Don't you wish you lived in China?

The 21 edicts of Chinese Olympic coverage

The propaganda bureau tells the Chinese media how to behave
August 14, 2008

THE 21 EDICTS FROM THE CHINESE GOVERNMENT'S PROPAGANDA UNIT

1. The telecast of sports events will be live [but] in case of emergencies, no print is allowed to report on it.

2. From August 1, most of the previously accessible overseas websites will be unblocked. No coverage is allowed on this development. There's also no need to use stories published overseas on this matter and [website] operators should not provide any superlinks on their pages.

3. Be careful with religious and ethnic subjects.

4. Don't make fuss about foreign leaders at the opening ceremony, especially in relation to seat arrangements or their private lives.

5. We have to put special emphasis on ethnic equality. Any perceived racist terms as "black athlete" or "white athlete" is not allowed. During the official telecast, we can refer to Taiwan as "Chinese Taipei". In ordinary times, refer to Taiwanese athletes as "those from the precious island Taiwan....." In case of any pro Taiwan-independence related incident inside the venue, you shall follow restrictions listed in item 1.

6. For those ethnic Chinese coaches and athletes who come back to Beijing to compete on behalf of other countries, don't play up their "patriotism" since that could backfire with their adopted countries.

7. As for the Pro-Tibetan independence and East Turkistan movements, no coverage is allowed. There's also no need to make fuss about our anti-terrorism efforts.

8. All food saftey issues, such as cancer-causing mineral water, is off-limits.

9. In regard to the three protest parks, no interviews and coverage is allowed.

10. No fuss about the rehearsals on August 2,5. No negative comments about the opening ceremony.

11.No mention of the Lai Changxing case.

12.No mention of those who illegally enter China.

13.On international matters, follow the official line. For instance, follow the official propaganda line on the North Korean nuclear issue; be objective when it comes to the Middle East issue and play it down as much as possible; no fuss about the Darfur question; No fuss about UN reform; be careful with Cuba. If any emergency occurs, please report to the foreign ministry.

14. If anything related to territorial dispute happens, make no fuss about it. Play down the Myanmar issue; play down the Takeshima island dispute.

15. Regarding diplomatic ties between China and certain nations, don't do interviews on your own and don't use online stories. Instead, adopt Xinhua stories only. Particularly on the Doha round negotiation, US elections, China-Iran co-operation, China-Aussie co-operation, China-Zimbabwe co-operation, China-Paraguay co-operation.

16.Be very careful with TV ratings, only use domestic body's figures. Play it down when rating goes down.

17. In case of an emergency involving foreign tourists, please follow the official line. If there's no official line, stay away from it.

18. Re possible subway accidents in the capital, please follow the official line.

19.Be positive on security measures.

20. Be very careful with stock market coverage during the Games.

21.Properly handle coverage of the Chinese sports delegation:

A.don't criticise the selection process

B.don't overhype gold medals; don't issue predictions on gold medal numbers; don't make fuss about cash rewards for athletes.

C.don't make a fuss about isolated misconducts by athletes.

D.enforce the publicity of our anti-doping measures.

E. put emphasis on government efforts to secure the retirement life of atheletes.

F. keep a cool head on the Chinese performance. Be prepared for possible fluctations in the medal race.

G. refrain from publishing opinion pieces at odds with the official propangada line of the Chinese delegation.


Example 2) frome the guardian

Olympics: Child singer revealed as fake

Yang Peiyi and Lin Miaoke

Yang Peiyi was replaced by Lin Miaoke who mimed "Ode to the Motherland" as her face was "not suitable" for the Olympics opening ceremony. Photographs: AFP/ AP

When nine-year-old Lin Miaoke launched into Ode to the Motherland at the Olympic opening ceremony, she became an instant star.

"Tiny singer wins heart of nation," China Daily sighed; "Little girl sings, impresses the world," gushed another headline, perhaps in reference to Lin's appearance on the front of the New York Times. Countless articles lauded the girl in the red dress who "lent her voice" to the occasion.

But now it emerges that Lin was lent someone else's voice, following high-level discussions - which included a member of the Politburo - on the relative photogenicity of small children.

The recording to which Lin mouthed along on Friday was by the even younger Yang Peiyi. It seems that Yang's uneven teeth, while unremarkable in a seven-year-old, were considered potentially damaging to China's international image.

"This is in the national interest. It is the image of our national music, national culture. Especially the entrance of our national flag; this is an extremely important, extremely serious matter," Chen Qigang, the event's general music designer, explained to a Beijing radio station.

Chen said that director Zhang Yimou - who created the ceremony - had demanded a "very cute" child; a standard certainly met by Lin and, many would suggest, by Yang.

"We made the decision that the voice we would use was Yang Peiyi's. The child on camera should be flawless in image, internal feelings, and expression.

"Lin Miaoke is excellent in those aspects. But in the aspect of voice, Yang Peiyi is flawless," he explained.

But at the last minute, officials decided a switch was needed, according to the translation by the China Digital Times website.

"We had been through several inspections - they were all very strict. When we rehearsed at the spot, there were spectators from various divisions, especially a leader from the Politburo, who gave us his opinion: It must change," said Chen.

"I think it is fair to both Lin Miaoke and Yang Peiyi. That is to say, we have a perfect voice, and a perfect image and representation - in our team's view - combined together."

It appears that Lin, already a veteran of TV adverts, may not have been aware that Yang's voice was used. Chen said they had recordings of both girls and their voices were fairly similar.

Yang appears to have taken the snub in her stride. Asked by a CCTV journalist whether she was sad to have missed the opening ceremony, she replied: "No, my voice was there."

Not everyone has reacted so calmly. "Adults may lie, but leave the kids out of it," one angry internet user wrote.

Her tutor, Wang Liping, wrote in her blog that Yang is cute and well-behaved, with a love for Peking opera.

"She doesn't like to show off. She's easygoing," she added. Yang's school could not be reached today.

The switch may reflect underlying cultural preferences as well as the incredible attention paid to Olympic preparations.

Research by Daniel Hamermesh, an economist at the University of Texas, has suggested that the "beauty premium" in parts of China is far more pronounced than in the west for women.

Dr Hamermesh's work shows that ugly people earn below the average income while beautiful people earn more. In Britain, attractive women enjoy a +1% premium. But in Shanghai, the figure
was +10%.


Example 3) from the guardian

China faked footprints of fire coverage in Olympics opening ceremony

Viewers saw computer-generated film of fireworks procession

Fireworks over Beijing during the Olympics opening ceremony

Fireworks over Beijing during the Olympics opening ceremony. Photograph: Teh Eng Koon/AFP/Getty

Was it real? Was it faked? Does it matter? Chinese netizens are debating the computer simulated special effects used for one of high points of the Olympic opening ceremony, the footprints of fire that "stepped" from Tiananmen Square to the Bird's Nest stadium.

Although the procession of fireworks actually took place, it was deemed too difficult and dangerous to film, so billions of viewers were treated instead to a computer-generated film of what it might look like.

Many of those watching were unaware that the effect was expensively "faked" until the Beijing Times reported the following day that only the last of the 29 footprints was actually filmed during the live broadcast.

The newspaper revealed that Crystal Stone - a local production company - had spent almost a year creating the 55-second sequence for the other 28 steps, including efforts to capture the slight shake of a camera on a helicopter and the blurring effect of haze.

Olympic organisers said the decision was necessary for safety reasons, because a helicopter might have been vulnerable to all the fireworks let off that night and it would have been hard to capture the entire route from a single location.

Gao Xiaolong, the head of the visual effects team for the ceremony, told the paper that the final result was not perfect, but achieved the desired effect: "Most of the audience thought it was filmed live - so that was mission accomplished."

On the many online forums about the ceremony and its significance, most Chinese netizens defended the decision to use the simulated sequence. "Although the 3-D production has a different feeling from live filming, we should support the Olympics by taking the authorities at their word and not arguing," said a post by Xin Shuibin on a Baidu discussion site.

Others said it was disappointing but the decision to use computer-generated images was justifiable. "If it had been live, the helicopters would have been in great danger if they flow over the fireworks. They might have crashed," said a commentator who gave the name Waltzer.

Overall, the show was well received, although much of the online opinion on the mainland was more critical than that found among the mainstream media overseas. As has been the case for several of his recent films, the ceremony's director, Zhang Yimou, was lambasted by many for producing a show that was strong on style but weak on content.

Rather than demonstrate real antipathy, however, such criticism may reveal the huge expectations for the landmark event and the high standards to which its director is always held.

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